备注:已完结
类型:剧情片
主演:琼·克劳馥;杰克·卡森;扎查瑞·斯考特;吉米·洛诺;玛丽·艾伦·梅伦;
导演:迈克尔·柯蒂兹
语言:国语
年代:未知
简介:米尔德里德(琼·克劳馥 Joan Crawford 饰)的丈夫蒙特(扎查瑞·斯考特 Zachary Scott 饰)抛弃了妻子,也抛弃了他们的两个女儿。米尔德里德对大女儿维达(安·布莱思 Ann Blyth 饰)尤为溺爱,心中充满了愧疚,宁愿去做卑微的餐厅服务员也要让女儿吃好的穿好的过上等人的生活。在母亲的纵容之下,维达渐渐变成了一个眼中只有荣华富贵的女人。 在威利(杰克·卡森 Jack Carson 饰)和艾伯特(布鲁斯·本内特 Bruce Bennett 饰)的帮助下,米尔德里德终于拥有了属于自己的餐厅,一家人终于脱离了苦海,而米尔德里德在艾伯特的身上亦再度找到了爱的感觉。然而,随着时间的推移,米尔德里德发现维达似乎亦在有意无意的勾引着艾伯特,母女之间的感情出现了裂痕。
备注:已完结
类型:动作片
主演:安东尼·安德鲁斯 简·西摩 伊恩·麦克莱恩 詹姆斯·维利尔斯 埃莉诺·
导演:克莱夫·唐纳
语言:英语
年代:未知
简介: 蒙面侠电影在好莱坞有铺天盖地的声势。从几十年前的《佐罗》,《超人》开始,到这些年的《蝙蝠侠》、《蜘蛛侠》、《超胆侠》等等. 佐罗远不是这个模式的起头。比佐罗更早的,是1905年英国女作家 Baroness Emmuska Orczy的小说《红花侠》(《 腥红色的繁笺花》)。故事描述法国大革命期间,法王路易十六被送上断头台,皇室和贵族也纷纷遭陷害。英国花花公子帕西化身为传说中的蒙面侠客红花侠,不断潜往法国, 出生入死抢救受难贵族送到国外。每次解救成功,就留下一朵红色的繁笺花为记。 这个著名的冒险传奇故事曾七度搬上银幕,这个版本是电视电影,是所有根据同名小说改编中最受称赞的. 影片曾获AMY奖. 演员也很出名 (Somewhere in Time 里的大美女Jane Seymour, Brideshead Revisit 中的塞巴斯蒂安 Anthony ...
备注:已完结
类型:剧情片
主演:伊莲恩·帕特罗 杰西·佩佩 Hossein Mardani Alain
语言:英语
年代:未知
简介:芙奥(伊莲恩·帕特罗 Elaine Partnow 饰)是一个离群索居的孤寡老人,独自生活在一艘帆船上,虽然她整日过着形单影只的生活,但性格却十分的开朗热情。一次偶然中,芙奥结识了名叫亚当(杰西·佩佩 Jesse Pepe 饰)的落魄音乐家,受经济所迫,他不得不卖掉自己心爱的键盘,而芙奥就是那个买家。 芙奥希望亚当能够教自己弹键盘,于是雇佣亚当成为了自己的老师,就这样,亚当“上了贼船”。让亚当没有想到的是,第二天当他起床后,发现帆船竟然已经航行在了大海之上,更震惊他全家的是,芙奥当着他的面将帆船的钥匙丢进了海里。这也就意味着,不出意外的话,他将和这个古怪的老太太永远漂流在茫茫大海之上。
备注:已完结
类型:剧情片
主演:Bob Dylan Joan Baez Judy Collins
语言:
年代:未知
简介:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
备注:已完结
类型:爱情片
主演:Sofia Arruda João Pedro Sousa Joana
语言:
年代:未知
简介:Six friends meet every evenings in a basement to make music. Rita left Ricardo, Rafael found her, but she still feels lost. Eduardo thought he no longer liked Maria, but after what he has done he cannot turn the clock back. Joao lacks the courage to break up with his girlfriend and takes refuge in the song he is writing for Ines. Marco struggles to get another young man's love, but he is under no illusions. Samuel believes in everlasting love but something is wrong because his friends haven't heard from him for sometime. Ines, attempting to feel safe, likes to experiment and is waiting to see how things go with Joao.There are no rehearsals for what life brings us. Each endeavour leaves its mark.The band is falling apart...
备注:已完结
类型:恐怖片
主演:Bob Dylan Joan Baez Judy Collins
语言:
年代:未知
简介:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
备注:已完结
类型:喜剧片
主演:Sofia Arruda João Pedro Sousa Joana
语言:
年代:未知
简介:Six friends meet every evenings in a basement to make music. Rita left Ricardo, Rafael found her, but she still feels lost. Eduardo thought he no longer liked Maria, but after what he has done he cannot turn the clock back. Joao lacks the courage to break up with his girlfriend and takes refuge in the song he is writing for Ines. Marco struggles to get another young man's love, but he is under no illusions. Samuel believes in everlasting love but something is wrong because his friends haven't heard from him for sometime. Ines, attempting to feel safe, likes to experiment and is waiting to see how things go with Joao.There are no rehearsals for what life brings us. Each endeavour leaves its mark.The band is falling apart...
备注:已完结
类型:恐怖片
主演:伊莲恩·帕特罗 杰西·佩佩 Hossein Mardani Alain
语言:英语
年代:未知
简介:芙奥(伊莲恩·帕特罗 Elaine Partnow 饰)是一个离群索居的孤寡老人,独自生活在一艘帆船上,虽然她整日过着形单影只的生活,但性格却十分的开朗热情。一次偶然中,芙奥结识了名叫亚当(杰西·佩佩 Jesse Pepe 饰)的落魄音乐家,受经济所迫,他不得不卖掉自己心爱的键盘,而芙奥就是那个买家。 芙奥希望亚当能够教自己弹键盘,于是雇佣亚当成为了自己的老师,就这样,亚当“上了贼船”。让亚当没有想到的是,第二天当他起床后,发现帆船竟然已经航行在了大海之上,更震惊他全家的是,芙奥当着他的面将帆船的钥匙丢进了海里。这也就意味着,不出意外的话,他将和这个古怪的老太太永远漂流在茫茫大海之上。