备注:已完结
类型:喜剧片
主演:Martín Castro Karem Momo Ruiz Paulo
语言:西班牙语
年代:未知
简介: 这是一个关于没法适应生活环境的天才男孩的故事。尽管出生在一个贫穷且缺乏教育的家庭,他仍然努力去取得成功。小小年纪的他 却要做出人生中最艰难的决定——长大后干什么。 The story of a misfit and extremely bright little boy, after he finds out he's a genius, he struggles to succeed despite the ignorance and poverty of his family. And being only an 8-year-old boy, he has to anticipate the most difficult decision of his life: What does he want to be when he grows up...
备注:已完结
类型:剧情片
主演:托尼·库兰 佩顿·利斯特 Cameron Goodman Cullen
语言:英语
年代:未知
简介: 结束了墨西哥的假期,正值青春年少的梅尔(佩顿·里斯特 Peyton List 饰)和茱尔丝(卡梅隆·古德曼 Cameron Goodman 饰)乘夜晚的航班回到洛杉矶。适值深夜,大雨瓢泼,贪图便宜的两个女孩和刚刚认识的青年塞斯(詹姆斯·辛德 James Snyder 饰)、马特(戴夫·鲍尔 Dave Power 饰)搭上一辆深色的机场巴士。除梅尔等人之外,还有一个中年人与他们同行。 四个年轻人相谈甚欢,不知不觉间却被司机(Tony Curran 饰)拉入一条陌生的道路。由于一个意外,巴士半路抛锚。正当众人手忙脚乱之际,司机露出狰狞面目。他收掉他们的手机,并准备实施抢劫。面对这个凶恶的歹徒,她们是该束手就擒,还是伺机逃命呢?
备注:已完结
类型:动漫
语言:英语
年代:未知
简介:波斯顿最高海军“Ivy League”出身的旗鱼“派”并没有其他鱼儿相象中的威猛,反而只是一条外表平庸的小鱼,因为在一次不幸的意外事故中失去了双亲,伤心的他决定离开故地,只身前往加勒比海岸,然而他却不知道,危险就在那边等着他…… 派与其他的鱼不同,他有着极为敏感的内心世界,不过却十分单纯,不懂海洋里的人情世故,未知的加勒比显得那样的陌生。不过初来咋到的他却认识了超级模特“Cordelia”,两鱼一见钟情,不过问题来了,一直对Cordelia虎视耽耽的shark是加勒比一带有名的混混,霸道异常,他怎么能放过这个不知道从哪里冒出来的情敌呢,派当然希望能够以温和的方式解决问题,不过,他也做好了最坏的打算,即使动武,自己也不能后推,毕竟自己是条好鱼,不过……对方叫什么来着?“Shark”?等等,对方不会是鲨鱼吧。 派的猜测完全无误,对方就是一条鲨鱼,很大型,而且他丝毫没有把派放在眼里,或者说加勒比的确的所有鱼他都没有放在过眼里,他不但变本加厉的对Cordelia进行骚扰,还开始了进一步的挑衅,一心想改变加勒比海岸的秩序,自己才是这个地区的头头,所有鱼都要听他的。富有正义感的派终于按奈不住了,勇敢地向鲨鱼下了战书,并在伙伴们的指引下找到退隐江湖的高手“Nerina”,请求他传授传说中的武术秘诀。
备注:已完结
类型:剧情片
主演:Rik Mayall Jerome Pradon Glenn Cart
语言:英语
年代:未知
简介:这部音乐剧DVD取材于耶稣的生平事迹,韦伯创新地将严肃的宗教故事和前卫的摇滚音乐联系起来,是一部艺术表现非常大胆、思想性也极为深刻的作品。如果说《约瑟夫与神奇彩衣》是对圣经故事的图解,那么《万世巨星》从表面上看简直就是对传统的颠覆与反动:上帝的儿子耶稣不再时刻带着圣哲的光环,他有软弱,有动摇,更多的人性代替了神性;犹大卖主也不是出自贪婪,而是出自上帝安排的命运,自杀后的犹大穿着白袍带领一个天使唱诗班向耶稣提出几个哲学问题,耶稣竟然也不知道答案。细心的读者不难看出这样的情节安排和电影《耶稣基督的最后诱惑》的相似之处,与后者一样,该剧刚一推出,便遭到了正统宗教人士的强烈抗议,这反而增加了它的知名度,其插曲《我不知如何爱他》(I don\'t know how to love Him)、《万世巨星》(Superstar)长时间徘徊在各大唱片排行榜上。笔者感觉此剧的本意和《耶稣基督的最后诱惑》一样,并不在于离经叛道,而是通过曲折的形式表现殉道者对神的服从,因为在该剧的最后,耶稣依照神的安排为人类的罪舍身又复活,并在原谅了他的敌人后升天而去。如果你对基督教有较深了解的话,相信该剧还是能够给你一些不同角度的思考。当然,撇开背景不谈,即便单单作为一出摇滚音乐剧来欣赏,这盘DVD也是不容错过的。该剧的另一个版本是1973年由环球影片公司出品的同名电影。式圣经片给人更亲切的感觉。安德鲁.莱特韦伯创作的插曲优美动听,全片摄影和剪接都具一流水准。
备注:已完结
类型:喜剧片
主演:Matthew Broderick Jeanne Tripplehor
语言:英语
年代:未知
简介:Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...